This month is one of those rare times when there are 29 days in February instead of 28. A leap in time when the calendar is adjusted to make up for extra seconds accrued over the preceding three years due to the rotation of the earth. Given it’s also Valentine’s month, we have to ask: Will you or won’t you? Should you or shouldn’t you?
According to an old Irish legend, St.
Brigid struck a deal with St. Patrick to allow women to propose to men — and
not just the other way around — every four years.
To help you make the leap— be it love or
business — here are our choices for shopping, dining and entertainment to make
you feel all warm and lovey-dovey:
3 Leap
at the chance to see some of the 43 films at the Jewish Film Festival playing
at the JCC’s Wolf Theatre, Feb. 5-19. Featured films include 16 Denver and six
Colorado premieres. Information: 303-316-6360.
3 You’ll
love the Colorado Ballet Auxiliary gala with dinner and an excerpt from Peter
Pan at The Ellie Feb. 6, 5-11 p.m. Information: 303-339-1640.
3 Celebrate
Valentine’s Day at Denver Botanic Gardens’ annual Love Potions from the Vine
tour Feb. 7-9 & 13-15. Information: 720-865-3500.
3 Just
for laughs, take your love to see stand-up comedian Phil Hanley perform at
Comedy Works Feb. 13-16. Information: 303-595-3637.
3 Experience
a leap in time at Mad Peaches Med Spa. Their skin care treatment solutions can
help reverse the effects of stress, genetics and lifestyle choices. For a
complimentary consultation: 303-474-4436.
3 No
matter how you slice-dice it, food and love are inseparably tied. Enjoy
Valentine’s Day at Glendale’s Jax Fish House Feb. 14, starting at 3 p.m. Happy
hour to 6 p.m., raw bar menu all night. Information: 303-756-6449.
3 Jazz
up leap year to jazz group Halo-Halo fronted by soprano Caitlin Gilmore at the
Tuft Theater Feb. 22, 8 p.m. Information: 303-777-1003.
3 Launch
your leap year garden at the Colorado Garden & Home Show at the Convention
Center Feb. 22-March 1. Information: 303-932-8100.
3 The
epic and poetic nature of music and lyrics always seems to conjure up feelings
of romantic emotion. The Colorado Symphony plays the most romantic music in the
orchestral repertoire at Boettcher Concert Hall, Feb. 14, 7:30 p.m. Titled A
Symphonic Valentine, the evening features soprano Laquita Mitchell who brings
her rich, expressive vocal to works from Schicchi and Tchaikovsky’s ballets.
Information: 303-623-7876.
Every four years, thanks to a quirk of the
earth’s orbit and the combined efforts of Roman Emperor Julius Caesar and
16th-century Pope Gregory XIII of Gregorian Calendar fame, we must add an extra
day at the end of February to create a leap year. Without the extra day every
four years, we would lose almost six hours every year.
Use the extra day to do something daring,
extraordinary and dissimilar from what you usually do. Take a chance and shape
an adventurous, distinctively different day.
A German proverb predicts that leap years
will be cold. This month between two and nine-inches of snow falls in Denver in
half the years. The Old Farmer’s Almanac sums it up thusly: “New snow and blue
toes. Fine and dandy for Valentine candy. Snow spittin’; if you’re not
mitten-smitten, you’ll be frostbitten! By jing-y feels spring-y.”
—
Glen Richardson
The Valley Gadfly can be reached at
newspaper@glendalecherrycreek.com.
The firing of Independence Institute’s Jon Caldera as a weekly columnist by The Denver Post is the latest of increasing number of voices stilled in Colorado and across the country for a real or imagined sin. Caldera’s crime was apparently talking about transgenderism without the sufficed sensitivity and in particular noted his belief that there are two human sexes. Caldera’s use of the word “transgender” rather than some other unspecified politically correct term which was, in and of itself, apparently a fire-able offense.
The firing made national news to which the
principal Editor of the Post Lee Ann Colacioppo responded with an Editor’s
Note. In it she denied the assertion of some that the Post did “not want to run
conservative columns about issues surrounding sex and gender.” She declared
conservatives could offer opinions on those subjects provided they used the
correct “respectful language.” She noted that the Post reserved the right to
edit any column and demanded that any columnist must work with them in a
“collaborative and professional manner” to strive to the goal of “respective
language,” implying that Caldera did none of the above. Caldera’s last column
is online and contained only four short paragraphs on the sensitive subject. It
is difficult to find exactly where in the column the disrespectful and
insensitive words were located.
Even in its diminutive state we believe
having a statewide paper like the Denver Post serves an important public
service and we are generally hesitant to pile on the ever-increasing criticism
of it, but this is too much even for this Editorial Board.
Caldera’s columns in the Post over the last
four years have been at times humorously provocative, but never meanspirited or
incendiary. Caldera heaped praise on the Post and Editorial Page Editor Megan
Schrader who fired him. Anyone who has ever interacted with Caldera would find
it difficult to take seriously the implication that he is not “collaborative”
or “professional.”
The real reason for the firing in our minds
is located elsewhere in the Editor’s Note where Colacioppo admits that some of
the Post’s readers find “offensive” opinion columns that do not comport with
the paper’s progressive bent. The Post works closely with the Washington Post
reprinting their articles and even editorials. It is clear that the Post would
like to emulate the Washington Post’s idea of a conservative in its “Turn
Right” columnist Jennifer Rubin who is now more rabidly left wing than its
“Turn Left” columnist. That apparently is the Post view these days of what
Colacioppo described in her Note as exploring “a variety of subjects and
feature[ing] a variety of voices.”
We understand the temptation. Every month
we receive no small number of calls and emails demanding that we cancel Peter
Boyles’ column. Boyles was once iconoclastic on the left and these days is more
often iconoclastic on the right. Similarly, every time we run a guest editorial
by Dr. Jack Van Ens, who is on the left side of the aisle and very much
anti-Trump we get calls and emails demanding he be removed from our editorial
page. Perhaps we are old fashioned, but why would anyone want to read just the
same viewpoint over and over. Of course, one could refuse to read the columns
one doesn’t agree with, but today’s cancel culture demands that voices one does
not agree with must be silenced, permanently if possible. We think the Post
greatly underestimates the intelligence of its readers and pays way too much
attention to the twitter mob.
Our publisher certainly understands the new
“cancel culture.” After 10 years being on radio, he was fired from 710 KNUS for
making a one-line dark humor joke, which he genuinely regrets, about how boring
the impeachment hearings were. The station was inundated with calls that he be
fired, not by listeners who were very supportive of him generally, but
professional “astro turfers” on the left. His firing by Salem Corporation was,
of course, not sufficient for the professional astro turfers as he, his wife,
and their 8-year-old son were then subjected to a barrage of the crudest,
obscene death threats imaginable, almost all from people who never listened to
the radio show or even previously knew it existed. They went after the
associations he had long been part of, and many individuals he was friends
with.
They, of course, also threatened this
paper’s advertisers. Luckily, we at the Chronicle are used to it. On January 7,
2015, Islamic terrorists massacred 12 employees of Charlie Hedbo magazine in
Paris, for cartoons they found “insensitive” and not sufficiently “respectful.”
While many news publications including the Chronicle declared “Je suis
Charlie,” the Chronicle took the extra step and printed on its editorial pages
every offending cartoon. The employees of the Chronicle and our advertisers
were threatened with every type of violence and death threat possible.
Most, but not all, of our advertisers
refused to be intimidated and we were fortunate that many businesses rallied
behind us and were repulsed by the tactics. The paper emerged stronger than
ever. As far as most of us are concerned, as in 2015, it is once again “Je suis
Charlie.”