by Regan Bervar | Sep 27, 2021 | Editorials
If anything is good for pounding humility into you permanently, it’s the restaurant business. — Anthony Bourdain
by Luke Schmaltz
By the end of 2019, the Mile High City’s hospitality industry was humming at a fever pitch. The slave-wage, cutthroat, desperation-driven, mercenary mindset which has driven this profession for decades was charging forth at full steam. This pulsating, sweat-drenched beast, however, was unaware that it was about to splat face down onto the floor like a piping hot pizza that was dropped by an underpaid line cook who showed up to work sick.
Research by the Colorado Restaurant Association shows restaurant worker employment numbers are below pre-pandemic levels. Colorado Restaurant Association image
By late March of 2020, the industry was being systematically gutted by circumstance. In the span of several very long months, many once-coveted, hard-to-land FOH (front of the house) and BOH (back of the house) positions had become vacant and were up for grabs. The “Great Reopening” had revealed a vacuum in the workforce. Much of the previous labor pool, while locked down and on unemployment, have seemingly discovered other options — perhaps pursuits offering better compensation, lower stress and even (gasp) employee benefits.
Surf’s Down
In May of this year, at the onset of patio season, the Colorado Restaurant Association reported that nine out of 10 restaurants were having trouble hiring. Meanwhile, the Bureau of Labor Statistics recently reported that between February of 2020 and June of 2021, a restaurant labor pool of 234,500 had recovered to a mere 223,600 — nearly 11,000 workers lower than the previous tally. This begs the question, “Where did they all go?”
In some instances, highly valued, seasoned professionals with years of FOH and/or BOH experience have pivoted and moved onto other pursuits. For example, 14-year Denver industry worker Nolan Ackerman (Southside, Goosetown Tavern) says, “I used the pandemic to finish my bachelor’s and get an internship. I’m out, for now.”
Meanwhile across town, Denver industry veterans and wife/husband team Casey Keller and Roy Benoit have pivoted inward, courageously becoming restaurant owners in late summer of 2020 (Wendell’s, 3838 Tennyson St.) Thus far, attracting qualified help has been somewhat of a challenge, “Overall volume and quality of applicants has been… discouraging,” Benoit explains. When asked about where the talent pool of qualified workers has gone, Benoit has a revealing perspective. “I feel that a lot of previously full-time industry folks often have skills or education that makes them marketable in other fields… and the last year has given many of those people the opportunity and/or impetus to pursue those things,” he begins. “There are certainly some people still collecting unemployment; we’ve physically seen this in people scheduling or coming to interviews for the admitted sole purpose of required work searches. I will say, I feel more of those lingering on unemployment may not be industry ‘professionals,’ if you will, but rather newer or shorter-term industry workers.”
Rather than spend time waiting for external circumstances to improve, however, Keller and Benoit have curated their own strategy for cultivating and maintaining a solid crew. “We believe in paying our people well to begin with and ascribe to quality over quantity when it comes to staffing,” Benoit says. “We currently have a very talented and dedicated staff and have done our best to compensate them accordingly. Now, it is possible we’re shorting ourselves some applicants by not openly advertising above industry norm pay, but even with the current pool, we’d prefer to be choosy and give ourselves the opportunity to pay quality staff what they’re worth and continue to do so.”
On the front lines across Denver, newer industry recruits are having to shoulder heroic workloads as people are coming out in droves to rekindle the beloved American pastime of “going out.” Crews of veritable “newbies” are facing hordes of guests in the FOH and torrents of orders in the BOH that would give the most hardened of veterans the heebie jeebies. In some instances, in order to avoid staff burnout, some establishments are having to cut their hours of operation or to simply remain closed on certain days.
Not Always The Case
Bull & Bush Restaurant/Brewery has largely avoided staffing woes. Image courtesy of David Peterson
Other establishments such as the beloved Bull & Bush on Cherry Creek Dr. have managed to circumvent the labor shortage. Bar-tender Dave Hummel explains the company policy of starting FOH personnel as hosts/hostesses and requiring them to work their way into the higher paying positions of waiting tables and tending bar. This may explain their FOH employee retention rate — even amid the current climate. “The only [labor] shortage we are really having is in the BOH,” he says. Restaurant co-owner David Peterson (with brother Erik) confirms this, saying, “There were a bunch of people chomping at the bit to get back to work. There were a few who opted to stay away and collect unemployment. But, for the most part, we managed to keep most of our staff.” Peterson goes on to explain with a rare tone of optimism, “We have been so busy, unbelievably so, we are breaking record sales.”
This new climate, however, has given rise to a novel phenomenon previously unheard of by most restaurateurs — even a lifelong professional like David Peterson. Recently, an employee of his kitchen staff lobbied for a raise by saying that he could simply go to another restaurant in Cherry Creek and get paid $20 an hour to do far less work because the place would be half as busy. Peterson was unfazed, however, explaining, “Yeah, I get where the guy was coming from. But what he doesn’t realize is that if the place is slow, they might give you the same amount of money, but they are going to cut your hours.”
Bar Car retains a core staff through superior treatment of employees in a preferred establishment in which to work. Jeremy Matzke image
Just across Colorado Boulevard to the North, another long-cherished mainstay establishment has a similar story. Bar Car is a one-of-a-kind blink-and-you’ll-miss-it type of place. Owner Jeremy Matzke believes their company policies helped them deflect the post-shutdown woes. “Speaking strictly from a small, well established locally owned bar, our reputation has held strong, [as] we are a desired place to work,” He begins. “We firmly believe in treating our employees as humans with opinions and feelings and make extra efforts to treat our employees with grace and [as] part of our family … we feel this philosophy is much stronger than most incentives.”
A Nationwide Phenomenon
Former Denver bartender-turned NYC drink slinger Donald Murphy, left, believes the service industry labor shortage is a nationwide problem. Donald Murphy photo
Shifting focus to the nation as a whole, it is becoming clear this is not just a Denver phenomenon — but something possibly taking place from coast to coast. Former Denver bartender Donald Murphy aka “Murph” (Splinters from the Pine, Pasquini’s Uptown) now works as senior drink-slinger and art curator at Upper East Side Manhattan’s esteemed Merrion Square. “This is a nationwide problem,” he attests. “All of the career people who had time off during Covid decided to collect their UI benefits as though they were finally recouping the would-be tips from every time they got stiffed,” he begins. “A lot of people realized, with all that time off, they never really wanted these jobs in the first place. In order to thrive in this industry, you have to truly enjoy serving people, helping guests have a good time, and talking shit with strangers.” Murph goes on to explain that amid the political/presidential madhouse that began in 2016, working in the FOH is not nearly as fun because of a combative, general populace that is divided by social ideals like never before. Many people, when out in public, are either intentionally rude or overly sensitive. This might explain the unattractiveness of the service industry to many entry-level people. “Social division has made working in restaurants and bars not nearly as enjoyable,” he says.
Lopsided Demographics
Back in Denver, the labor shortage seems to be prevalent in some areas and nonexistent in others. For example, many businesses in the LoDo district, the Highlands and the RiNo district are short staffed while outliers in more suburban areas are not. This might also be explained by the average restaurant worker wage compared to the costs of living in these areas. After all, who wants to commute into a congested area, search for parking (if you even have a car), wait on people who live in the neighborhood and make more money than you (entitled a**holes), and then commute back home to your meager dwelling every day?
To combat this, restaurant owners, at least some, are adopting new business models with a variety of adaptations. Some feature higher hourly wages while others offer profit sharing for untipped workers and others are doing the unheard of by offering benefits to part-time, tipped employees. Yesterday’s service industry professionals who have moved on may catch wind of this and be taken aback in utter disbelief. Whether it brings them back into the fold, however, seems rather unlikely — but only time will tell.
by Regan Bervar | Aug 27, 2021 | Editorials
“Courage is grace under pressure.” Ernest Hemmingway
by Luke Schmaltz
Not since the heyday of Gonzo Journalism has a Colorado writer immersed themselves in a story to such a degree, they become temporarily synonymous with the subject of their investigation.
This level of dedication explains why author Julian Rubinstein is laying low. Because for now — he is responsible for introducing oblivious residents of the Mile High City and the world at large to “Invisible Denver.”
Book: The Holly, an epic saga about “Invisible Denver,” is available at julianrubinstein.com.
Rubinstein recently published a book titled The Holly — a factual, multi-generational account of people, events, and places in and around a specific sector of Northeast Denver. This residential and commercial district is home to a variety of small businesses, community centers, a library, post office, the Center for African American Health, and more, Holly Square is also the site of countless gang-related incidents and deadly encounters over the last 30+ years.
A Work In Progress
The area is well known for conflict between Denver gangs and the DPD. Yet, Holly Square also bears the fruits of the efforts of former gangster-turned activist Terrance Roberts and various philanthropists and community outreach groups. On the surface, there is evidence of an influx of big money bolstering new development such as the Nancy P. Anschutz Center/Boys & Girls Club which opened in 2013. This has a seemingly synergistic effect on long-established neighborhood institutions, namely the shops and businesses in the Park Hill Center. On a deeper level, however, linger the ghosts of a community long-affected by civic dysfunction and gang warfare.
The Promised Land
Beginning in the 1950s, Rubinstein reports, this area was the Plymouth Rock of a migrating African American populace fleeing the Jim Crow South in search of a better life. Among them was Terrence Roberts’ grandmother, Ernestine Boyd, who was soon followed by most of her immediate family — whom she managed to move to Denver one by one from an Arkansas cotton plantation. “Most people don’t associate Denver with having much of an African American population or culture,” Rubinstein begins. “But of course, there is a very strong one that begins very early,” he explains. The Holly is the de facto epicenter of what Rubinstein’s book reveals as “Invisible Denver” a subculture extending across multiple neighborhoods that most folks beyond the zip codes therein are unaware of.
The Story That Hit Home
The germ for The Holly was planted in 2013, when a national news piece caught Rubinstein’s attention (a Denver native) while he was living in New York City. It involved former Bloods gang member-turned anti-gang activist Terrance Roberts, who was involved in a shooting incident in Holly Square that nearly claimed the life of then-active Bloods gang member Hasan Jones.
Over the next seven years, Rubinstein would immerse himself in the subculture of The Holly. “I didn’t know what I was going to find, and I didn’t expect to find what I did,” he explains. “It ended up feeling like a responsibility that I didn’t always want.” The book is an opus driven by equal amounts journalistic curiosity, humanist compassion, and nerves of pure steel. He documents in great detail how he was able to gradually befriend Roberts, Roberts’ father George (a funeral preacher), and an extended network of characters who don’t normally associate with Caucasian journalists.
Dysfunction Junction
Perhaps the most disturbing set of circumstances Rubinstein uncovers are those demonstrating the monumental failure of Denver law enforcement to address and reverse the ongoing crisis of gang violence. His reporting reveals that active gang members were recruited by city-appointed officials and placed on payroll to perform “outreach” to the community’s at-risk youth. “For much of the time I felt like I was doing government oversight work,” Rubinstein explains. Rubinstein refers to this as the “urban war industrial complex,” and he demonstrates that as certain government-sponsored “anti-gang” programs were implemented, the violence only increased.
Internal Perspectives, Conflicting Opinions
Author: Julian Rubinstein is a Denver native who was compelled to return home and uncover the truth about “Invisible Denver.”
Rubinstein’s story presents a comprehensive, multi-generational account of local African American history, gang culture, activism, anti-activism, and urban development. Folks who want to get to know “Invisible Denver” can start by reading The Holly.
Like many journalists, Rubinstein is not without detractors. One such figure is Jeff S. Fard — founder of Brother Jeff’s Cultural Center, and a well-known figure in the Northeast Denver community. He is a lecturer, multimedia journalist, and community organizer. He is also a regular guest on a local radio show hosted by longtime Denver on-air personality Peter Boyles.
Brother Jeff’s outspoken criticism of Rubinstein on Boyles’ 710 AM KNUS radio show has brought more than a few questions to the fore. When asked about his ire toward Rubinstein’s reporting in The Holly, he replied with a litany of misreported facts such as incorrect ages, school attendance statuses, and gang affiliations, and more. Brother Jeff attests, “ If these basic facts are not correct, how much can larger facts be trusted?”
Infractions, Minor And Otherwise
Rubinstein has taken note of these oversights, and vows to correct them in future editions. “Well, thankfully these are minor infractions,” he explains.
Brother Jeff: While Brother Jeff credits Rubinstein with making some good points, he has far more critical bones to pick with The Holly.
Brother Jeff has bigger fish to fry. “Initially, I thought The Holly was a product of journalism and reporting,” he states. “It only took me a few pages … to realize the book is more of Terrance Roberts’ story as told to Julian Rubinstein. I have many questions for Julian. For example, does Roberts receive any royalty payments from the book? Was he paid? If so, that departs from any journalistic effort I am familiar with. I have been around Roberts long enough to hear his voice and tone in much of The Holly.
Brother Jeff continues his invective, “Flames burned down The Holly, and now, the opening of unresolved issues and wounds are tearing the community apart again. In fact, after 400 pages most walk about asking, what is that book all about?”
One of Rubinstein’s main revelations in The Holly is evidence of police corruption. Specifically, in the claims that active gang members are recruited by DPD and other official agencies to, ironically, work in the capacity of anti-gang outreach for at-risk youth. Rubinstein cites numerous sources and instances to support this claim, yet Brother Jeff has a different story to tell concerning this issue.
An Ongoing Debate
Focus: Terrance Roberts, seen here rallying for the community, is the primary focus of The Holly.
When asked about police corruption, as reported in The Holly, Brother Jeff states, “Initially, community and city collaborations regarding youth were done through a program known as Safe City. Mayor Webb placed this within the Manager of Safety office. That office is more than the police. It is Sheriff, fire, and even the Independent Monitor. Later GRID and Safe City kinda merged and Safe City became Safety Programs. This work is also under the Manager of Safety. I don’t know too much about police recruiting anyone from community based programs,” he explains. “They may have recruited confidential informants etc…, but no one I know would know anything about that.”
Meanwhile, Rubinstein denies having a partnership with Roberts, and is quick to defend his revelations about misappropriation of government funds for anti-gang, community outreach. “Because Brother Jeff didn’t hear of any DOJ funding doesn’t mean it wasn’t there,” he explains.
As with most polarized issues, the complaints are many and the grudges run deep — indicating the disputes arising from The Holly will smolder on. Which, alas, may help make Invisible Denver not so invisible.
by Mark Smiley | Jul 23, 2021 | Editorials
Multi-Sensory Art Experience In The Hangar Until Sept. 26
by Mark Smiley
Van Gogh Alive: Playing at The Hangar at Aurora’s Stanley Marketplace through September 26. Buy tickets at denvercenter.org.
The Denver Center for the Performing Arts, Stephen Lindsay & Brett Sirota and Andrew Kay Management in partnership with Grande Experiences present Van Gogh Alive, a large-scale, multi-sensory experience that is promoted as entertaining for the entire family. Van Gogh’s works have been displayed and enjoyed around the world for over a century. For a limited time only — through September 26 in The Hangar at Aurora’s Stanley Marketplace — audiences have an opportunity to experience Van Gogh’s artistry and venture into his world.
With a career that ran a little over a decade, he produced an astonishing amount of work: 1,000 drawings, 150 watercolors, 9 lithographs, an etching, and over 900 paintings. Van Gogh is today one of the most popular of the Post-Impressionist painters, although he was not widely appreciated during his lifetime. He is now famed for the great vitality of his works which are characterized by expressive and emotive use of brilliant color and energetic application of impastoed paint. The traumas of his life, documented in his letters, have tended to dominate and distort modern perceptions of his art. This experience walks you through the different paintings and the mood and year in which they were painted. Pay particular attention to the quotes from Van Gogh that appear throughout the exhibit during the show.
Created by Grande Experiences, Van Gogh Alive, a large-scale, COVID-Safe, multi-sensory digital art experience, gives visitors the unique opportunity to immerse themselves into Van Gogh’s artistry. Traditions of tiptoeing through silent galleries and viewing paintings from afar in quiet contemplation are forgotten as visitors find themselves interacting with art in ways they never imagined. From start to finish, visitors are surrounded by a vibrant symphony of light, color, sound and fragrance that has been called an “unforgettable” multi-sensory experience. Van Gogh’s masterpieces come to life, giving visitors the sensation of walking right into his paintings, a feeling that is simultaneously enchanting, entertaining and educational. Adults and children delight in the super-scale show, viewing artworks from new angles and discovering unique perspectives. But don’t just take their word for it: experience it for yourself!
Van Gogh Alive is a multi-sensory art experience that involves high-level cinema-quality sound, large scale moving images, theater level lighting and at times loud abrupt sounds. Individual visit times vary, but most visitors anticipate spending approximately 60 minutes in the experience. The main feature of the exhibition lasts around 45 minutes.
The Denver Center for the Performing Arts, denvercenter.org, is the only authorized ticket provider for this production. There is no minimum age requirement and all attendees need a ticket. The experience is open Sunday, Tuesday, Wednesday, and Thursday from 10 a.m. to 8 p.m. and Friday and Saturday from 10 a.m. to 9 p.m. Follow this experience on social media: #VanGogh Alive and @DenverCenter.
by Charles Bonniwell | Jun 25, 2021 | Editorials
If you enjoy only getting your news about local stories from the innocuous, politically correct viewpoint of today’s Denver Post you will be glad to know that may soon be essentially the only point of view available. The Denver Post was not always bland and politically correct and, in fact, it was just the opposite when it was owned and operated by two hustlers named Harry Tannen and Frederic Bonfils in 1895. The coverage was not exactly fair and balanced under their tutelage, but it was certainly sensational. It was an absolute must-read seven days a week.
Of course, not everyone enjoyed the coverage. One lawyer went to their offices and repeatedly shot both men. He was never convicted but Tannen and Bonfils were found to have jury tampered in the third trial. Another lawyer went to their offices and horsewhipped both men. A wonderful book on the glory days of the Post is Bill Hosokawa’s Thunder in the Rockies.
The paper did not get to its present emaciated state overnight, but it is now owned by a New York hedge fund, Alden Global Capital, that could care less about the content of the paper, and only cutting costs and squeezing every penny of profit possible.
A group of laid off reporters and editors started the digital Colorado Sun which, of course, reflects the viewpoint of the paper where they learned their craft. Now the Colorado Sun has a partnership with a new local non-profit, National Trust for Local Trust, has acquired 24 Denver metro newspapers including the 153-year-old Golden Transcript, as well as such other well-known local papers as Life on Capitol Hill, Washington Park Profile, Littleton Independent, and Englewood Herald.
Larry Ryckman, a former Denver Post editor and now editor-in-chief of the Colorado Sun told NPR that the “Colorado Sun . . . will drive [all 24] newspapers editorially” in what he and the other former Denver Post employees deem “the public good.” Oh, boy! We can’t wait for all 24 newspapers to be exactly the same editorially as the Colorado Sun and The Denver Post.
But wait you say? What about Colorado Politics and the Denver Gazette owned through a corporation by billionaire and Republican donor Phil Anschutz? Well, it appears that Mr. Anschutz believes that the only way to make money in the media business in this area is to mimic The Denver Post. So those sites, editor-at-large, Vince Bzdek, is a former Denver Post editor and its new managing editor, Linda Shipley, was, you guessed it, the managing editor for The Denver Post. Most of its reporters like Joey Bunch are also former Denver Post reporters.
The content of the Colorado Politics and Denver Gazette is basically identical to The Denver Post except for an occasional bland conservative op-ed or a puff piece on some has-been establishment Republican like Bob “Both Ways” Beauprez.
The homogenization of the news was recently highlighted when the annual Western Conservative Summit came back to town. Local self-identified communists and anarchist groups decided to have some fun punching out blue haired ladies, verbally harassing old men, and blocking downtown traffic. The Denver Post and its many offspring reported nothing as they know men and women of the Left only protest peacefully.
In the Denver market only Westword covered the mayhem having not yet been purchased by the Colorado Sun and its financing partner. Another independent paper The Villager appears to have survived the attempt to shut it down when its April Fool’s Day story was apparently not politically correct enough.
Below is a picture of the Western Conservative Summit outdoor festivities courtesy of the out-of-town news site, the Washington Times. There may come a time in the not-too-distant future where controversial stories will be covered, if at all, by only out-of-state news organizations.
by Charles Bonniwell | May 26, 2021 | Editorials
Mark Twain famously said: “If voting made any difference, they wouldn’t let us do it.” His remarks certainly apply to Colorado today as the new Colorado Transportation Bill SB21-260 demonstrates. Colorado voters have repeatedly declared, since 1992 with the adoption of the Taxpayer Bill of Rights (“TABOR”), that they wanted to be able to vote on approving new tax increases. Similarly, Colorado taxpayers have repeatedly said that they do not want new taxes for roads. In fall of 2019, Proposition CC failed which would have allowed the state to keep the refunds that would have otherwise gone back to taxpayers under TABOR for roads. In the fall of 2020, voters turned down two Propositions, 109 and 110, which would have raised taxes for roads. In addition the voters approved Proposition 117, a measure requiring voter approval on fee hikes that generate more than $100 million in revenue over five years.
None of it mattered in the least. Under SB21-260 the state legislature imposes an estimated $4 billion in new fees over 10 years for so-called transportation needs. That is an estimated $1,750 per household. How did they do it? Well, they divided the fees into four different enterprises, none of them individually exceeds the limit. One other fee, however, easily exceeded the limit, but they put that fee into a Highway Users Tax Fund, and since it is not an enterprise, it does not need voter approval.
One would think the Colorado courts would strike down such shenanigans, but we are assured by the conservative Independence Institute that the Colorado Supreme Court would find a way to approve the same. Given the black eye the Colorado judiciary has gotten from the discovery that the Judicial Department and Colorado’s former chief justice awarded a multimillion dollar contract to an employee to prevent her from disclosing incidents of workplace misconduct and sex discrimination, the courts might want the citizens to at least think they are not so biased that they can render impartial rulings, but apparently not.
The solution the Independence Institute gives us, is that ultimately the voters can punish those legislators who passed the legislation over the wishes of the voters. But in Colorado that has become a joke. Mail-in ballots and ballot harvesting in Denver make it impossible for anybody but a Democrat to win statewide office and assures a Democrat controlled State House and State Senate. That is why the State Legislature could care less what the voters want or do not want.
There is at least a silver lining in all of this. Voters have indicated that they do not want new taxes or new fees used to build and repair roads and bridges, and under SB21-260 very little of the money will be used for that. It is estimated the roads and bridges will be involved in only 17% to 18% of the spending and rest used for subsidies for electric cars and multimodal transportation. So, after a flurry of spending the roads in Colorado will remain highly congested and in poor repair. Nothing will change except the lightening of the public pockets.
You could, of course, call your duly elected state representative/senator but many of them are not even bothering these days to take such calls or read constituent mail. Why should they? In case you have not figured it out yet, you don’t live in a democratic republic in Colorado, but an interesting form of an oligarchy. You can have fun voting, relieved of any burden that your vote, as Mark Twain noted, “makes any difference.”
— Editorial Board
by Charles Bonniwell | Apr 23, 2021 | Editorials
Kyle Clark, 9NEWS superstar, is beginning to feel the vultures circling.
At one time, not that long ago, KUSA 9News was a powerhouse in the Denver media market with massive ratings and was lovingly called the “Mommy Channel” for its popularity with female viewers. But it seems all good things must come to end. Things started “Breaking Bad” when Kyle Clark floated into town from New York in 2007.
Over the years, the acerbic New Yorker eventually came to dominate 9NEWS and is literally almost impossible to escape if you tune into Channel 9. He hosts “Next with Kyle Clark” at 9 p.m. on weekdays, and if that is not enough, he is the news anchor for 9NEWS on its 10 p.m. broadcast. He also contributes reports for 9NEWS political coverage, the 9Wants to Know Investigative unit, and 9NEWS Storytellers. He is perhaps best known for getting into endless Twitter wars with scores of individuals across the Front Range.
Murder by 9News security guard Matthew Dolloff of Lee Keltner at pro police rally on October 10, 2020.
While 9NEWS ratings are beginning to take a dive, in an age where objective television news is considered passé, he gained admirers by putting his leftwing progressive views into all of his reporting. One never needs to wonder what his personal views are as it relates to any story. The bias reporting was clearly fine with KUSA Channel 9 parent company, the giant publicly traded media company TEGNA, Inc.
Lori Lizarraga
In recent times, however, the wheels appear to be coming off the once all-powerful media vehicle. In June 2020, Clark was furloughed by TEGNA as part of a company-wide cost saving strategy. Reporters for 9NEWS started to become so disliked by some the station began hiring armed security guards when they went to events.
Through a third party they engaged an unlicensed security guard, Matthew Dolloff, who shot and killed grandfather and military veteran Lee Keltner at a pro police rally in front of his son on October 10, 2020. Kyle Clark went into hiding with a security detail claiming he was taking an unannounced vacation. 9NEWS boarded up its windows and kept the staff at home for an extended COVID period. Dolloff was charged with 2nd degree murder by the Denver DA, and the Keltner family hired an attorney for possible legal action against Channel 9 and TEGNA.
Sonia Gutierrez
In March of this year Clark’s and 9NEWS’ reputation as being progressive took a tremendous hit. Lori Lizarraga wrote a scathing article in Westword: “LatinXed: 9News Got Rid of Three Latina Reporters This Past Year, Including Me,” detailing a pattern and practice of discrimination at the news station. In addition, one of TEGNA’s largest shareholders demanded that the company open its books and records to investigate what is being called a broad pattern of bias and racially insensitive behavior.
The investor stated that the allegations show “the roots of racist behavior within Tegna/Gannett are ugly and run deep” and are reflected in “egregious practices with Tegna/Gannett dating back decades.”
Kristen Aguirre
Gannett previously owned the broadcast business that is now stand alone TEGNA. TEGNA spun off the publishing business as Gannett in 2015.
And, of course, Kyle Clark went on an immediate unannounced vacation.
Perhaps Mr. Clark, TEGNA, and 9NEWS, and their phony “wokeness,” might just like to leave town and sell the station to some entity who would like to bring the station back to what it once was.
