Swallow Hill Summer Tribute ­Concert Series Returns To Four Mile Historic Park

Swallow Hill Summer Tribute ­Concert Series Returns To Four Mile Historic Park

by Mark Smiley

 

A Tribute to Joni Mitchell featuring Liz Barnez, Rebecca Folsom, and Celeste Krenz performs at Four Mile Historic Park in 2025. The show is returning in 2026 as part of Swallow Hill Music’s Summer Music Series at Four Mile.  Photo credit: Kit Chalberg, Courtesy Swallow Hill Music

A popular summer music tradition is returning to Glendale’s backyard as Swallow Hill Music brings back its Summer Tribute Concert Series at Four Mile Historic Park.

The Wednesday evening concert series, which runs June 3 through July 15, features seven performances celebrating legendary artists such as The Beatles, Joni Mitchell, John Prine, Bruce Springsteen, the Allman Brothers, the Grateful Dead, and the Traveling Wilburys.

Concerts begin at 6:30 p.m., with the park opening at 5:30 p.m. for picnicking and lawn seating.

In recent years, the series has shifted to an all-tribute format, which organizers say has helped draw record crowds eager to relive the music of iconic artists performed live by skilled regional musicians.

Returning acts include several Front Range favorites, such as The 3eatles, a Beatles tribute band; Shakedown Street, honoring the Grateful Dead; and The Traveling Wilburys Revue. The lineup also includes A Tribute to Joni Mitchell, featuring Liz Barnez, Rebecca Folsom, and Celeste Krenz, as well as Sugar Britches, performing the songs of the late folk legend John Prine.

Two performers will make their debut in the series this year: The Other Brothers, paying tribute to the Allman Brothers Band, and Colorado Springsteen, celebrating the music of Bruce Springsteen.

The concerts take place on the lawn at Four Mile Historic Park, offering a relaxed setting where attendees often bring picnic dinners and blankets to enjoy an evening of live music outdoors. Outside food, coolers, and non-alcoholic drinks are allowed, although outside alcohol is not permitted. A bar will be available onsite.

Tribute bands have grown increasingly popular in recent years, with acts like Brit Floyd, Bjorn Again, and Hell’s Belles touring nationally and internationally. These performances allow fans to experience the music of legendary artists live, often with remarkable attention to detail.

For performers like Sugar Britches, the tribute format also offers a chance to honor musical heroes.

“Playing these shows really makes us ap­preciate John Prine’s legacy,” said Brian Johanson of the band. “After John Prine passed, there was just such a big hole in the world, and I really wanted to pay homage to him.”

Johanson said the connection audiences feel during the performances is powerful.

“The last two years at Four Mile Historic Park, I have had several people come up to me after the show in tears telling me how much the show meant to them,” he said. “Seeing that connection to our hero and knowing we can help keep his legacy alive makes it worth it.”

Swallow Hill Music, a Denver nonprofit dedicated to music education and performance, uses ticket sales from events like the summer series to help support its programs and expand access to the arts.

2025 Swallow Hill Summer Concerts at Four Mile Historic Park

All concerts begin at 6:30 p.m. (doors at 5:30 p.m.)

June 3 — The Other Brothers: A Tribute to the Allman Brothers

June 10 — The 3eatles: A Tribute to The Beatles

June 17 — A Tribute to Joni Mitchell (featuring Liz Barnez, Rebecca Folsom and Celeste Krenz)

June 24 — Sugar Britches: A Tribute to John Prine

July 1 — Colorado Springsteen: A Tribute to Bruce Springsteen

July 8 — Shakedown Street: A Tribute to the Grateful Dead

July 15 — The Traveling Wilburys Revue: A Tribute to the Traveling Wilburys

Tickets and additional information are available through Swallow Hill Music’s web­­site at www.swallowhillmusic.org/four-mile.

Moab Weekend Getaway

Moab Weekend Getaway

Head West For A Desert Adventure

by Laura Lieff

View From The Top: The Fleming family enjoys visiting Arches National Park, which is known for its natural stone arches, towering pinnacles, and massive balanced rocks.

Spring is the time of year when everything and everyone emerges — flowers bloom, spring cleaning starts, and Cherry Creek Valley residents begin looking for places to visit outside of the city. One exciting destination, which is just over the Colorado border in Utah, is Moab. Known for its many outdoor adventure options — including mountain biking, hiking, off-roading, and fossil hunting — Moab is also a gateway to the magnificent Arches and Canyonlands National Parks.

One way to enjoy Moab is on wheels — just ask the hardcore gearheads who love off-roading and are looking forward to the 60th Annual Easter Jeep Safari event which takes place March 28 through April 5. Additionally, Cruise Moab, an annual event that began in 1996, is happening April 15 through 19 this year. Those who prefer riding mountain bikes, dirt bikes, and motorcycles usually journey to Slickrock Bike Trail as it features just over 10 miles of scenic and rugged terrain and is located approximately three miles from town. Founded by Dick Wilson in 1969, Slickrock was originally meant for motorcycles. Over five decades later, nothing has changed as a variety of aficionados flock to the area to spend time on their preferred wheels.

Longtime motorcycle mechanic and enthusiast, Dan “The Wrench” Rolfe, has been enjoying Moab for the last 12 years — both on his mountain bike and on his CT-90 motorcycle. “I like Slickrock because it’s a ‘cycle’ trail with great views and terrain that is easy to maneuver,” Rolfe explains. “Also, the traction it provides allows you to go up and down steep landscapes and traverse laterally in places whe

Red Rock View: Fleet Fleming stays cool in the desert heat while climbing around Arches National Park.

re you would normally slip out.” Rolfe is featured in the 2019 documentary film, 50 Years of Slickrock, which chronicles the history and development of the trail that arguably put Moab on the map.

Family Trip

While many Colorado residents head to Moab for camping and mountain biking, there are other ways to enjoy a weekend in the desert and make a family vacation out of it. Depending on where you live in Denver, and the number of stops made while driving, the journey to Moab is about five and a half hours. If that sounds like a trek, keep in mind that the panoramic views along the way are likely to make the time go by quickly.

“We started going to Moab because it is an ideal overnight stopping point when we travel to and from Arizona,” says Boulder native Nicole Ford. “After doing that a few times, we realized that it’s worth spending the weekend there because of all the kid-friendly restaurants and activities offered. Also, we found a dog-friendly hotel with a great pool which is the place to be after a day of exploring in the sun.” Some of the Ford family’s favorite Moab restaurants include Tai Bella, The Sultan, and Antica Forma and her hotel of choice is the Element.

Moab History

Ancient Artwork: While hiking through Mill Creek Canyon, keep an eye out for pictographs and petroglyphs that show detailed figures, animals, and shapes.

Because there is an abundance of history to explore in Moab — including petroglyphs (pecked/carved art), pictographs (paint­ed art), dinosaur fossils, and ­dinosaur footprints — a weekend might not be enough to see everything. On the way into town, stop at Sego Canyon to see rock art that reflects three cultural styles: Ute, Fremont, and Barrier Canyon. The petroglyphs and pictographs left behind on the sandstone walls depict humanlike figures, abstract shapes, horses, and shields, among other types of rock art. “Sego Canyon is always our first stop when we travel to Moab because seeing that type of history is always exciting for me, my wife, and our son,” says 30-year Colorado resident Brian Fleming. “Checking out rock art that has been there for such a long time is our favorite way to begin the weekend.”

Another place to see pictographs and petroglyphs is Mill Creek Canyon where the hike along the creek features panels that show detailed figures, animals, and shapes that stand out the most on the black rocks. The trail’s “finale” is a picturesque waterfall that offers a memorable destination point before turning back to the trailhead. For those looking for dinosaur tracks, the Mill Canyon Dinosaur Bone and Track Sites are highlights. Accessible via a short pathway, the Track Site displays footprints from thero­pods, sauropods, ornithopods, ankylosaurs, birds, and crocodilians. The Bone Trail, located about a mile from the Track Site, has fossilized dinosaur bones embedded in rock along a family-friendly hiking path with educational panels.

Additional family-friendly spots include Moab Giants and the Moab Rock Shop. Since 2015, Moab Giants has offered various exhibits and experiences for people of all ages. The indoor/outdoor dinosaur museum show­cases state-of the art, life-size land and sea dinosaurs that roamed the area. Another stop for fossil hunters and rockhounds is the Moab Rock Shop. Founded in 1960 by Lin Ottinger, this family owned and operated store has been a staple for over 50 years. In fact, many of Ottinger’s discoveries were donated to museums and universities and he discovered at least four species of dinosaurs.

Magic In The Desert

The two most well-known attractions near Moab are the national parks — Arches and Canyonlands. For those staying in the heart of town, Arches is a much closer option (five miles away). It’s also a smaller park which is ideal for families with young kids or for people who prefer to spend a shorter amount of time walking around the park. Known for its legendary red rock topography, Arches boasts over 2,000 natural stone arches, hundreds of towering pinnacles, and massive balanced rocks that can be seen while hiking or driving. The Windows Section is a favorite destination within the park as it contains some of the most iconic views.

Conversely, Canyonlands is best-suited for visitors looking for an all-day adventure. Shaped by the Colorado and Green Rivers, Canyonlands is divided into three districts that have dramatic buttes, spires, canyons, and desert landscapes: Island in the Sky (40 minutes from Moab), The Needles (90 minutes away), and The Maze (the most remote and challenging as its ranger station is accessible by 46 miles of dirt road).

If visiting national parks is not part of your agenda, keep in mind that the magic of Moab is the variety of ways to experience the desert. Whether you are camping, staying in a hotel, off-roading, hiking, mountain biking, or fossil hunting, it is a breathtaking destination for all ages and all types of adventure-seekers. Discovering historical petroglyphs and pictographs, finding dinosaur bones, and then cooling off at the pool are definitely memorable ways to spend time. Regardless of

Desert History: Sego Canyon’s rock art dates back thousands of years and features multiple cultural styles.

your chosen itinerary, spring is an ideal season to head west into the desert and see different landscapes and wildlife, enjoy diverse cuisine, explore new terrain, and participate in unique activities.

Pro Tips:

  • Check the weather before you leave because you’re going to Moab to be outside.
  • Pack a cooler — no matter what your accommodations are — because having water and snacks ready for consumption is essential in the desert.
  • Make sure to pack layers and plan for the daytime versus nighttime temperature changes.
  • Hats, sunglasses, sunscreen, a bathing suit, and comfortable walking shoes are crucial.
  • Arches National Park requires timed entry reservations so plan ahead by booking online.
‘Peter, you’re a hard man to kill.’ — Dr. Tim Watt

‘Peter, you’re a hard man to kill.’ — Dr. Tim Watt

Blasting with Boyles

OPINION

It happened four Sunday mornings ago, February 15th. After completing the award-winning radio show on Saturday, I went home and I was dead tired and went to bed early — on Saturday night, Peter??

Woke up the next morning with the worst headache and I generally don’t get headaches; it’s the one thing that gratefully has left me alone. I normally have a Sunday morning breakfast with my biker buddies, and I didn’t have the strength to meet them and the headache continued.

My daughter said OK, let’s go to urgent care, and I argued against it, and she said you have to go. And the urgent care people, who were wonderful, said go straight to Swedish Hospital.

I went to Swedish hospital and ended up in the ICU for that night and the next day. Did an MRI and was told I had had a brain bleed. So, I’m writing this column as a warning for all of us about strokes and brain bleeds.

I was told all kinds of fun things like 50 percent of those who have a brain bleed will die before they get to a hospital. Of the 50 percent who make it to the hospital 30 percent will die there. And of those who survive 40 percent are left with some kind of cognitive defect. And in common terms, a brain bleed is actually an intracranial hemorrhage. In terms that I can understand, it’s a blood clot in your brain.

I’ll take it now to another level. There are two kinds: the spontaneous ones are aneurism or a stroke caused by trauma, but the most common type of brain bleed, the most common cause of death, is it’s secondary to a head injury.

That was some relief. The most ­common symptom is a sudden onset headache. Most of us describe it as the worst headache in their lives. And even people who get migraine headaches say the brain bleed headache is worse than any migraine. Some stroke patients describe having a bad headache. The symptoms come and go very quickly.

I received at Swedish one of the greatest experiences of my life: the migraine cocktail. Why I never knew about this before is beyond me. What a gift that is.

With a brain bleed there are people who fall into comas, and it causes you to lose consciousness and some of the following symptoms. This is all very frightening, such things as blindness in one eye, numbness on one side of the face, arm numbness, weakness on one side of the body. The thing that was most interesting is something for all of us to remember, and that is if you feel, have, or gone through any of these things it’s time to call the ambulance. I actually was told to not have your daughter drive you here but to call 911.

There is a medication to dissolve the clot. Mine was two centimeters and they told me there’s evidence you’ve had a couple of these puppies in the past. Which if you’ve been reading me explains a lot.

Bottom line with a brain bleed, if you ever have a headache like you’ve never had before, dial 911. Ignoring that pain like I have could prove to be fatal.

I’m writing this, as I said above, for all of us to be aware of what I just went through.

I will be 83 years old — maybe — this coming October. And those of you who have been reading me long enough, remember the final columns of Gene Amole who had become a great friend and drinking buddy, along with the late John Coit, Denver Rocky Mountain News columnist who died of a heart attack. I think about so many of the old people in the media and friends that have been with all of us and we’ve lost them. But you’re not getting rid of me because, I’m a hard man to kill.

Who was a hard man to kill? Rasputin, and Jim Bowie, and me.

—Peter Boyles

No Clemency! Tina Peters’ Conviction Should Be Overturned On Appeal

No Clemency! Tina Peters’ Conviction Should Be Overturned On Appeal

ASHE IN AMERICA — OPINION

Partisan outrage broke out earlier this month when former Democrat Senator Sonya Jaquez-Lewis was sentenced to probation for committing four felonies in an attempt to mislead an ethics panel. Her charges included one count of attempting to influence a public servant (C.R.S. 18-8-306), and three forgery counts.

That statute should sound familiar. C.R.S. 18-8-306 was the charging statute for three of former Mesa County Clerk and Recorder Tina Peters’ felonies — and she was sentenced to three and a half years in state custody for each of the counts.

Jaquez-Lewis attempted to influence the officials handling her ethics committee. Peters influenced three officials to bring an observer into her office. The difference in the cases comes down to prosecutorial discretion. That’s what caused the outrage.

Even Governor Polis got in on the drama.

“But it is not lost on me that [Jaquez-Lewis] was convicted of the exact same felony charge as Tina Peters — attempting to influence a public official,” the Governor posted on his personal account on X. “— and yet Tina Peters, as a non-violent first-time offender got a nine-year sentence.” He then talked about clemency calculus.

Predictably, the uniparty lost their minds at Polis’ suggestion that Peters might get out of prison. She represents the death rattle of a carefully created narrative about “election denialism” being dangerous to “democracy.”

They need that to be true (it isn’t), because they used that fake narrative to weaponize the government and undermine democracy themselves. If it’s not true, they violated their oaths of office and abused their power.

Clemency makes that inevitability go away for them. It’s an act of mercy for agreed upon guilt. It fortifies the state’s assertion that Tina Peters got due process, and that she was convicted by a jury of her peers after a fair trial. That’s not true.

The handling of Tina Peters’ case was so egregious that the three-judge panel that heard her appeal in February seemed poised to grant Peters at least some relief:

“The official misconduct charge was charged as with the intent to receive a benefit for herself,” Judge Tow said. “Why is it not relevant to the jury for her to say, ‘I didn’t intend to receive a benefit for myself. I intended to do what I thought was my job and protect the election process.’ Why was that evidence not relevant at least to that charge?”

Peters was prohibited by the trial court from defending against the state’s characterization of her intent before the jury.

The judge continued after an exchange with the solicitor arguing for the prosecution, “Why was that evidence not appropriately submitted to a jury?”

“When it comes to a defendant’s Constitutional Right to present a complete defense, does a trial court have the ability to curtail that in the interest of not letting the sideshow overcome the circus? Don’t they have a Constitutional Right to present a complete defense? …the Court can prevent cumulative or irrelevant evidence, but I cannot curtail the presentation of relevant evidence.”

This should be fatal to the prosecution.

The state and judge biased the jury — and not just on the misdemeanor. The only intent argument that was presented to the jury about Tina Peters — for any count — was the state’s characterization of her intent on the misdemeanor. That violation on one count arguably biases the jury on all counts. That’s not justice.

Earlier this month, I debated this point with District Attorney George Braucher (R-JD23) on Ryan Schuiling Live (630 KHOW) where I quoted Judge Tow’s statements above and posited, “Why she did what she did is relevant; and you could say it doesn’t matter, but then you have to throw out the misdemeanor for official misconduct because there’s an intent requirement. You cannot allow the state to…characterize her intent to the jury and refuse to allow her to present a defense for that.”

Brauchler’s response was chilling: “…we’re not talking about the intent like [Tina] had the intent to break the law [in] her conduct. She acted like a guilty person in the way that she did this. She didn’t act like an innocent person doing innocent things for a greater good.”

Is that the legal standard for whether the accused has access to due process and a trial by jury?

She acted guilty and, essentially, we knew she was guilty — so it’s fine that we violated her rights. She was guilty!

That’s grounds for reversal on appeal, which would expose due process violations and reinforce the rule of law; clemency keeps the conviction and the official narrative intact and allows the prosecutors to avoid inquiry on their violations of Tina Peters’ rights.

The Bill of Rights is always inconvenient for prosecutors. That’s its point. It’s non-negotiable in its demands that justice not be weaponized for politics…even if the government is certain the accused is guilty.

A 70-year-old woman, with no record, was charged with a nonviolent offense; the prosecutors decided her intent and characterized it to the jury; they prohibited her from disputing that characterization; and she was convicted.

Then they locked her up for almost nine years.

It’s hard to argue this is about the ethics of public officials and making examples when another official — Sonya Jaquez Lewis, who has the correct politics and positions on elections, gets probation under the same statute.

The facts, the evidence, and the law — not the stories told to the public — are what is supposed to matter in a court of law. In Tina Peters’ case — a political show trial bolstered by due process violations and false narratives about election crimes — only the story mattered.

Clemency locks that false story in — and it moots any further attempts to correct it. For due process, elections, and Tina Peters, that’s the worst possible outcome.

For those white knuckling the story, it’s the best.

That’s likely why Jared Polis is now talking about clemency in this case.

Ashe Epp is a local writer, host, and activist. Find all her work at linktree.com/asheinamerica.